Adham Faramawy @ the Bluecoat

GDLP 8/1/17

emoji summary - 🌾📺🌪

exhibition details { here }

hello i do not think the Adham Faramawy exhibition at the Bluecoat is an exhibition and that’s disappointing. there is one installation in the room upstairs: tv screens angled over mounds of sand and concrete plinths before a decal on the wall. there is a lot of negative space in the room, but it is not tangible - rather, it feels like time ran out, or money did, curatorial energy ? 

 

if it is a problem of scale, close the frame. If small episodic presentations of art like this were a normal thing artists and curators did together, it would be okay. I would know I was going for an art snack and not a meal and my stomach would not be confused like this. if you had said to me, o there is an installation in the bluecoat that is in fact an advert for Faramawy’s wider practice: i would have said okay i love adverts I like the car ones let’s go. 

 

given thatttttt, I like the portion we do get to see (after have put some blinders on)

 

:

 

The concrete plinths are stark, dystopic / screens atop sand is fashionable don't u know. The arrangement is arched in the corner, quiet, defunct; its tension and energy vaporised. It is resigned to itself, collapsed and okay like it says it is on the tin

feel like it should be raining outside the Bluecoat, like the invigilators should hum along to the music with their head leaning against the windows, looking out, pressed temple damp and cold

 

There is a big collage on the wall that holds kid-TV-gameshow-slime aesthetic and on three screens in front of it, a video plays like the intro to that fictional kid’s show. it has enthusiastic smiley people with lil crispy slug graphics wiggling over them in a new layer. I think about how I hate to be high-fived. how the videos are more porn, like the middle of sex, just it is looping. bums bounce on space hoppers, and you watch how it’s hard to breathe under a shower.

 

While I was standing in front of it all, Charles Jeffrey’s loverboy came to mind, the london club night and fashion troupe. that full house. idk why exactly, except maybe I related them as a provocation in my thinking. They share the Dazed/ID look, and they are both festive. but - Jeffrey’s fashion acts, involves, grows; and this installation is sober. It’s not that I think its sobriety is a problem, just separately - I worry the resignation in Faramawy’s installation means it is more successful quiet and flattened as an image for Instagram than something to encounter and pivot emotionally in the gallery space. I don't want that anymore tho, cause that line an easy get-out (and I don’t want that theory to be an excuse for the problem with scale in this work).

 

: (blinders off, I'm home now)

When I told my boyfriend that I was writing about the scale of this show, he said he saw Faramawy’s exhibition as a supporting act for Keith Piper’s, which is the main event on @ the bluecoat atm. which I didn’t consider, again, because of framing. The glass-half-empty Faramawy room should have been present and integrated with Piper’s work if its value was relation, bc as it stands, it’s like a half-installed exhibition that has been zoomed up into an attic on its own, away from context, a little neglected. it’s a good thing you have been keeping in the attic. but don’t you wanna take it down, dust it off, and put it in the living room where people can see it, where it wont be alone. yanno? like an art treasure

 

maybe curation is a type of care. I’m sad the art under the curator’s supervision has not been taken care of, that it has not been loved enough. i wanna see the artist with someone else 

b͓̽e͓̽s͓̽t͓̽ ͓̽v͓̽i͓̽e͓̽w͓̽e͓̽d͓̽ ͓̽i͓̽n͓̽ ͓̽l͓̽a͓̽n͓̽d͓̽s͓̽c͓̽a͓̽p͓̽e͓̽
͓̽o͓̽r͓̽ ͓̽o͓̽n͓̽ ͓̽a͓̽ ͓̽d͓̽e͓̽s͓̽k͓̽t͓̽o͓̽p͓̽

{ 𝔱𝔥𝔢 𝔬𝔫𝔩𝔶 𝔯𝔢𝔞𝔰𝔬𝔫 𝔗𝔥𝔢 𝔚𝔥𝔦𝔱𝔢 𝔓𝔲𝔟𝔢 𝔠𝔞𝔫 𝔰𝔱𝔦𝔩𝔩 𝔢𝔵𝔦𝔰𝔱 𝔦𝔰 𝔟𝔢𝔠𝔞𝔲𝔰𝔢 𝔰𝔬𝔪𝔢 𝔬𝔣 𝔬𝔲𝔯 𝔯𝔢𝔞𝔡𝔢𝔯𝔰 𝔠𝔥𝔬𝔬𝔰𝔢 𝔱𝔬 𝔰𝔲𝔭𝔭𝔬𝔯𝔱 𝔲𝔰 𝔢𝔞𝔠𝔥 𝔪𝔬𝔫𝔱𝔥 𝔳𝔦𝔞 𝔓𝔞𝔱𝔯𝔢𝔬𝔫. 𝔚𝔢 𝔰𝔬𝔪𝔢𝔱𝔦𝔪𝔢𝔰 𝔡𝔬 𝔱𝔞𝔩𝔨𝔰 𝔞𝔫𝔡 𝔬𝔱𝔥𝔢𝔯 𝔧𝔬𝔟𝔰 𝔟𝔲𝔱 𝔓𝔞𝔱𝔯𝔢𝔬𝔫 𝔦𝔰 𝔥𝔬𝔴 𝔴𝔢 𝔤𝔢𝔱 𝔭𝔞𝔦𝔡 𝔣𝔬𝔯 𝔱𝔥𝔢 𝔞𝔠𝔱𝔲𝔞𝔩 𝔴𝔯𝔦𝔱𝔦𝔫𝔤 𝔥𝔢𝔯𝔢 - 𝔱𝔥𝔢 𝔯𝔢𝔳𝔦𝔢𝔴𝔰 𝔫 𝔞𝔯𝔱 𝔱𝔥𝔬𝔲𝔤𝔥𝔱𝔰 𝔞𝔫𝔡 𝔰𝔬 𝔬𝔫. 𝔄𝔫𝔡 𝔦𝔱'𝔰 𝔰𝔬 𝔦𝔪𝔭𝔬𝔯𝔱𝔞𝔫𝔱 𝔱𝔬 𝔲𝔰 2 𝔱𝔥𝔞𝔱 𝔴𝔢 𝔠𝔞𝔫 𝔰𝔱𝔞𝔶 𝔦𝔫𝔡𝔢𝔭𝔢𝔫𝔡𝔢𝔫𝔱 𝔠𝔯𝔦𝔱𝔦𝔠𝔰 𝔴𝔦𝔱𝔥𝔬𝔲𝔱 𝔱𝔦𝔢𝔰 𝔱𝔬 𝔟𝔦𝔤 𝔣𝔲𝔫𝔡𝔢𝔯𝔰 𝔬𝔯 𝔦𝔫𝔰𝔱𝔦𝔱𝔲𝔱𝔦𝔬𝔫𝔰, 𝔭𝔲𝔟𝔩𝔦𝔠 𝔬𝔯 𝔭𝔯𝔦𝔳𝔞𝔱𝔢. 𝔗𝔥𝔞𝔫𝔨 𝔶𝔬𝔲 𝔣𝔬𝔯 𝔟𝔢𝔦𝔫𝔤 𝔬𝔲𝔯 𝔬𝔩𝔡 𝔱𝔦𝔪𝔢𝔶 𝔭𝔞𝔱𝔯𝔬𝔫𝔰 - 𝔴𝔢'𝔩𝔩 𝔡𝔬 𝔬𝔲𝔯 𝔟𝔢𝔰𝔱 𝔱𝔬 𝔭𝔯𝔬𝔡𝔲𝔠𝔢 𝔮𝔲𝔞𝔩𝔦𝔱𝔶 𝔬𝔲𝔱𝔭𝔲𝔱; 𝔴𝔯𝔦𝔱𝔢 𝔰𝔱𝔲𝔣𝔣 𝔱𝔥𝔞𝔱 𝔦𝔰 𝔱𝔥𝔬𝔲𝔤𝔥𝔱𝔣𝔲𝔩 𝔞𝔫𝔡 𝔰𝔦𝔫𝔠𝔢𝔯𝔢. }

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