Wandering/ Wilding: Blackness on the Internet @ IMT (-Curated by Legacy Russell)

ZM - 11th Dec 2016

🔮 ⚖🚶🏾

I guess I should start this review by saying that I don't typically vibe with the way group shows are. I like a room to feel like a solid thing. I like it when artists are able to create mood and atmosphere and I think those conditions demand a particular kind of singularity. So on the whole I used to think I preferred the format and the aura of special-ness of a solo show. (Maybe just a singularity in the sense it feels like it needs to be unified?) However, I went to another group show a few weeks ago, curated by C.R.E.A.M., and it was well balanced and the tone was so nice I found myself really liking it despite my bias against group shows. So starting out by sayin props and giving credit where it's due: it's a difficult thing to merge and force all different works by different ppl into a room and expect them to chat to each other.

The first room was so so bluey-purple it felt like being underwater lol. It was all taken at a slower pace too; I felt like I slowed down from the way I was outside on the pavement on the way from the station. The lights ~ the feel ~ the mood ~ made me all the more willing to look and observe to let it all pass me by. And, I always think it’s hard to reconcile having so many screens in a room, all inhabiting and contributing to the same space, breathing the same air. It was good, the way the works all speak amongst themselves in each others' presence; they were so well behaved. And can I just say how nice it is to see familiar faces in gallery spaces when those faces aren’t white men. My god, I felt something like pride. Evan Ifekoya’s video: ‘Cowboy, Native, Other Or, How We Mistook The Man or Territory’ was set up like a shrine or a monument, it felt so present and it set a tone in the room that was kind of sombre, but in a kinda respectful way? It felt like being at the temple, I was in awe and at home. The lights ~ the feel ~ the mood ~ it all had an effect and I scrolled down.

The second room was way more stark and it felt precarious. I guess I’m very aware of lighting at the moment; I felt overexposed. I wobbled. Everything was so high up: as I walked through there was a painting on the wall a couple feet above my head, the screen was mounted higher, a projector was balanced dangerously on a spiral staircase pointed at where the wall meets ceiling. I don’t wear heels, but when I do::::::: this is how I feel. Like I’m tottering around, about to fall. I’d left the comfort and relative warmth of the first room and I was unstable. Everything moved too quick for me to catch it. This was on purpose; I’m absolutely sure of it.


I wrote about a talk I went to a few weeks ago [link] about this show. In the handout is an amazing essay by Aria Dean RE: the black flâneur, the black flâneur in the Outside, in public space. The ghost and shadow of Threat exacted upon black bodies in public space. That text, I feel, ended before I came to any point. Although I’m ok with an unfinished ending, I feel like I came to this show and FELT what I was trying to put into words with that text. It was so SO strange, and I still don’t know how to put it into words now. But maybe that’s ok. Maybe this feeling is just me understanding something. It’s just for me. 

Wandering Wilding closes today! It's on @ IMT and if you're East u should prolly check it out, it goes nicely with Sunday gallery hopping. It'll grab u nicely. 

b͓̽e͓̽s͓̽t͓̽ ͓̽v͓̽i͓̽e͓̽w͓̽e͓̽d͓̽ ͓̽i͓̽n͓̽ ͓̽l͓̽a͓̽n͓̽d͓̽s͓̽c͓̽a͓̽p͓̽e͓̽
͓̽o͓̽r͓̽ ͓̽o͓̽n͓̽ ͓̽a͓̽ ͓̽d͓̽e͓̽s͓̽k͓̽t͓̽o͓̽p͓̽

{ 𝔱𝔥𝔢 𝔬𝔫𝔩𝔶 𝔯𝔢𝔞𝔰𝔬𝔫 𝔗𝔥𝔢 𝔚𝔥𝔦𝔱𝔢 𝔓𝔲𝔟𝔢 𝔠𝔞𝔫 𝔰𝔱𝔦𝔩𝔩 𝔢𝔵𝔦𝔰𝔱 𝔦𝔰 𝔟𝔢𝔠𝔞𝔲𝔰𝔢 𝔰𝔬𝔪𝔢 𝔬𝔣 𝔬𝔲𝔯 𝔯𝔢𝔞𝔡𝔢𝔯𝔰 𝔠𝔥𝔬𝔬𝔰𝔢 𝔱𝔬 𝔰𝔲𝔭𝔭𝔬𝔯𝔱 𝔲𝔰 𝔢𝔞𝔠𝔥 𝔪𝔬𝔫𝔱𝔥 𝔳𝔦𝔞 𝔓𝔞𝔱𝔯𝔢𝔬𝔫. 𝔚𝔢 𝔰𝔬𝔪𝔢𝔱𝔦𝔪𝔢𝔰 𝔡𝔬 𝔱𝔞𝔩𝔨𝔰 𝔞𝔫𝔡 𝔬𝔱𝔥𝔢𝔯 𝔧𝔬𝔟𝔰 𝔟𝔲𝔱 𝔓𝔞𝔱𝔯𝔢𝔬𝔫 𝔦𝔰 𝔥𝔬𝔴 𝔴𝔢 𝔤𝔢𝔱 𝔭𝔞𝔦𝔡 𝔣𝔬𝔯 𝔱𝔥𝔢 𝔞𝔠𝔱𝔲𝔞𝔩 𝔴𝔯𝔦𝔱𝔦𝔫𝔤 𝔥𝔢𝔯𝔢 - 𝔱𝔥𝔢 𝔯𝔢𝔳𝔦𝔢𝔴𝔰 𝔫 𝔞𝔯𝔱 𝔱𝔥𝔬𝔲𝔤𝔥𝔱𝔰 𝔞𝔫𝔡 𝔰𝔬 𝔬𝔫. 𝔄𝔫𝔡 𝔦𝔱'𝔰 𝔰𝔬 𝔦𝔪𝔭𝔬𝔯𝔱𝔞𝔫𝔱 𝔱𝔬 𝔲𝔰 2 𝔱𝔥𝔞𝔱 𝔴𝔢 𝔠𝔞𝔫 𝔰𝔱𝔞𝔶 𝔦𝔫𝔡𝔢𝔭𝔢𝔫𝔡𝔢𝔫𝔱 𝔠𝔯𝔦𝔱𝔦𝔠𝔰 𝔴𝔦𝔱𝔥𝔬𝔲𝔱 𝔱𝔦𝔢𝔰 𝔱𝔬 𝔟𝔦𝔤 𝔣𝔲𝔫𝔡𝔢𝔯𝔰 𝔬𝔯 𝔦𝔫𝔰𝔱𝔦𝔱𝔲𝔱𝔦𝔬𝔫𝔰, 𝔭𝔲𝔟𝔩𝔦𝔠 𝔬𝔯 𝔭𝔯𝔦𝔳𝔞𝔱𝔢. 𝔗𝔥𝔞𝔫𝔨 𝔶𝔬𝔲 𝔣𝔬𝔯 𝔟𝔢𝔦𝔫𝔤 𝔬𝔲𝔯 𝔬𝔩𝔡 𝔱𝔦𝔪𝔢𝔶 𝔭𝔞𝔱𝔯𝔬𝔫𝔰 - 𝔴𝔢'𝔩𝔩 𝔡𝔬 𝔬𝔲𝔯 𝔟𝔢𝔰𝔱 𝔱𝔬 𝔭𝔯𝔬𝔡𝔲𝔠𝔢 𝔮𝔲𝔞𝔩𝔦𝔱𝔶 𝔬𝔲𝔱𝔭𝔲𝔱; 𝔴𝔯𝔦𝔱𝔢 𝔰𝔱𝔲𝔣𝔣 𝔱𝔥𝔞𝔱 𝔦𝔰 𝔱𝔥𝔬𝔲𝔤𝔥𝔱𝔣𝔲𝔩 𝔞𝔫𝔡 𝔰𝔦𝔫𝔠𝔢𝔯𝔢. }

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